These scales are now considerably more important to Live’s workflow, too. Scales can also be set for individual clips in their respective menus, however, making it possible to change the playback scale within a single track or composition. This defines the overall scale for a project, and will dictate the scale automatically assigned to any new MIDI clips. The first is the global scale setting, found in the transport bar next to BPM. There are now two places in the DAW where a scale can be defined. You could already make use of predefined scales in Live 11, but they’ve become far more flexible and important in Live 12. In Live 12 you can access the mixer from anywhere It works particularly well with drum sounds, enabling users to quickly swap out single elements or entire kits to see how it affects that beat. It lets users browse through a list of ‘similar’ samples that Live generates based on the qualities of the audio files, and isn’t bound entirely by tags. This can be accessed in the browser or directly via some instruments such as Drum Rack. One final sound-finding feature worth investigating early on is Live’s new Similar Sample tool. The list will automatically update as new sounds are tagged with these characteristics. This will list anything tagged with these two characteristics, whether it’s part of Live’s stock library, a Pack or your own folders (assuming you’ve added tags). For example, under the All tab, filter sounds by ‘Loop’ and ‘Drum Pattern’, then hit the ‘+’ icon above the list of results to create a new sidebar shortcut. With sounds tagged up, it’s also possible to save browser filter combinations to the library sidebar to create automatically updating groups of sounds, devices or plugins. While doing so requires a fair commitment of admin time, it will really help you get the most out of Live’s new browser. The first thing we’d recommend doing is adding ‘type’ tags to your plugins – eg ‘synth’, ‘delay’ ‘EQ’ etc – to help you quickly find groups of similar tools.Īfter this, it’s worth turning to your most commonly used sample packs and assigning any tags you think could be relevant, such as sound type – eg ‘loop’, ‘one shot’, ‘drum’, ‘bass’, ‘lead’ – as well as potentially tagging sound by characteristics such as musical key or general tone descriptions. While the new browser works nicely for Live’s stock content and official Packs from Ableton, it has little to help you navigate your own library of sounds and third-party plugins – at least not without a little prep work first.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |